Ignacio Pinazo Camarlench
Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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Ignacio Pinazo Camarlench Alegoria sobre la vendimia oil painting


Alegoria sobre la vendimia
Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr
Painting ID::  85468
Ignacio Pinazo Camarlench
Alegoria sobre la vendimia
Date c. 1900(1900) Medium Oil on canvas Dimensions 55 x 78 cm (21.7 x 30.7 in) cjr
   
   
     

Ignacio Pinazo Camarlench Emparrado oil painting


Emparrado
Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr
Painting ID::  85472
Ignacio Pinazo Camarlench
Emparrado
Date 1912(1912) Medium Oil on canvas Dimensions 50 x 65.3 cm (19.7 x 25.7 in) cjr
   
   
     

Ignacio Pinazo Camarlench Retrato de Dona Teresa Martenez oil painting


Retrato de Dona Teresa Martenez
1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf
Painting ID::  85566
Ignacio Pinazo Camarlench
Retrato de Dona Teresa Martenez
1872(1872) Medium Oil on canvas Dimensions 63.2 x 48.5 cm (24.9 x 19.1 in) cyf
   
   
     

Ignacio Pinazo Camarlench Enamorados oil painting


Enamorados
1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf
Painting ID::  85643
Ignacio Pinazo Camarlench
Enamorados
1878(1878) Medium Oil on canvas Dimensions 29 x 35 cm (11.4 x 13.8 in) cyf
   
   
     

Ignacio Pinazo Camarlench Senora de Alvarez oil painting


Senora de Alvarez
1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf
Painting ID::  86552
Ignacio Pinazo Camarlench
Senora de Alvarez
1912(1912) Medium Oil on canvas Dimensions 75.3 x 100.5 cm (29.6 x 39.6 in) cyf
   
   
     

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     Ignacio Pinazo Camarlench
     Spanish painter , 1849-1916 was a Spanish painter, and one of the most prominent artists of Valencia from the end of the nineteenth century, working in the Impressionist style. Born into a poor family, Pinazo was forced from a young age to assist in supporting the family by practising various trades. He had only attended eight grades when his mother died of the cholera, and young Ignazio was variously employed as a silversmith, a painter of tiles, and a decorator of fans. After his father's death, he lived with his grandparents, and in 1864 enrolled in the San Carlos Academy of Fine Arts, Valencia, earning his living as a hatter. His artistic career started when he was 21, and he achieved his first success in Barcelona three years later. In 1871, work by him was displayed in the National Exhibition of Fine Arts for the first time. He visited Rome twice, the first time (1873) thanks to the sale of a painting. From 1876 to 1881 he lived in that city on a grant. When he returned to his native city in 1874, he abandoned the conventional historic themes he had so far devoted his efforts to, and instead started painting family subjects, nude figures, and scenes from daily life, thereby anticipating Joaqu'n Sorolla y Bastida and Francisco Domingo both in subject and style.

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